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	<id>https://aesr-docs.uni-ak.ac.at/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Moritz.Haberkorn</id>
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	<updated>2026-05-06T18:34:24Z</updated>
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		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=80</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=80"/>
		<updated>2025-05-09T08:14:21Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Dimensions */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Dimensions ===&lt;br /&gt;
* Length (total):7890 mm&lt;br /&gt;
* Length (without drawbar): 6260 mm&lt;br /&gt;
* Drawbar: 1630 mm&lt;br /&gt;
* Width: 2550 mm&lt;br /&gt;
* Height: 3055 mm&lt;br /&gt;
* Weight: 3200 kg&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
Basic Ambisonic Template for 4 channel mixing can be found here: &lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/g8zeiwG7gfan4cr Reaper Ambisonics Template]&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/njqdN4KpPeCgdFd Ambisonics Decoder Mobile Lab]&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
[[File: ReaperTemplate.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here:&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Ableton Live ===&lt;br /&gt;
[[File: Live-Surround.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Live-Template that can pan 8 sound sources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/f/22285679 here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here.&lt;br /&gt;
Please notice that Live has no native multichannel support and needs M4L to enable multichannel.&lt;br /&gt;
&lt;br /&gt;
[[File: SurroundPanner.png]]&lt;br /&gt;
&lt;br /&gt;
==== Setup ====&lt;br /&gt;
# To be able to utilize multichannel routing you will need a M4L external called &amp;quot;Surround Panner&amp;quot;. You can find it [https://www.ableton.com/de/packs/surround-panner/ here] or in our [https://base.uni-ak.ac.at/cloud/index.php/s/8gpPFCtM7gq2L6t Resources Folder]&lt;br /&gt;
# Put onto a track you want to use for multichannel output&lt;br /&gt;
# Select &amp;quot;Speaker Setup&amp;quot; &amp;quot;8-Center&amp;quot;&lt;br /&gt;
# Select Outputs &amp;quot;1/2 &amp;gt; Ext.Out &amp;gt; 1/2, 3/4 &amp;gt; Ext.Out &amp;gt; 3/4, etc&amp;quot;&lt;br /&gt;
# Add &amp;quot;Surround Panner&amp;quot; to more tracks if you need to&lt;br /&gt;
# Use the graphical interface to move the sound around, you can use the focus parameter to expand the speaker range of the sound source or to make it smaller&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=79</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=79"/>
		<updated>2025-05-08T14:28:11Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Dimensions */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Dimensions ===&lt;br /&gt;
* Length (total):7890 mm&lt;br /&gt;
* Length (without drawbar): 6260 mm&lt;br /&gt;
* Drawbar: 1630 mm&lt;br /&gt;
* Width: 2550 mm&lt;br /&gt;
* Height: 3055 mm&lt;br /&gt;
* Weight: 3500 kg&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
Basic Ambisonic Template for 4 channel mixing can be found here: &lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/g8zeiwG7gfan4cr Reaper Ambisonics Template]&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/njqdN4KpPeCgdFd Ambisonics Decoder Mobile Lab]&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
[[File: ReaperTemplate.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here:&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Ableton Live ===&lt;br /&gt;
[[File: Live-Surround.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Live-Template that can pan 8 sound sources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/f/22285679 here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here.&lt;br /&gt;
Please notice that Live has no native multichannel support and needs M4L to enable multichannel.&lt;br /&gt;
&lt;br /&gt;
[[File: SurroundPanner.png]]&lt;br /&gt;
&lt;br /&gt;
==== Setup ====&lt;br /&gt;
# To be able to utilize multichannel routing you will need a M4L external called &amp;quot;Surround Panner&amp;quot;. You can find it [https://www.ableton.com/de/packs/surround-panner/ here] or in our [https://base.uni-ak.ac.at/cloud/index.php/s/8gpPFCtM7gq2L6t Resources Folder]&lt;br /&gt;
# Put onto a track you want to use for multichannel output&lt;br /&gt;
# Select &amp;quot;Speaker Setup&amp;quot; &amp;quot;8-Center&amp;quot;&lt;br /&gt;
# Select Outputs &amp;quot;1/2 &amp;gt; Ext.Out &amp;gt; 1/2, 3/4 &amp;gt; Ext.Out &amp;gt; 3/4, etc&amp;quot;&lt;br /&gt;
# Add &amp;quot;Surround Panner&amp;quot; to more tracks if you need to&lt;br /&gt;
# Use the graphical interface to move the sound around, you can use the focus parameter to expand the speaker range of the sound source or to make it smaller&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=78</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=78"/>
		<updated>2025-05-08T14:27:52Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Overview */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Dimensions ===&lt;br /&gt;
* Length (total):7890 mm&lt;br /&gt;
* Length(without drawbar): 6260 mm&lt;br /&gt;
* Drawbar: 1630 mm&lt;br /&gt;
* Width: 2550 mm&lt;br /&gt;
* Height: 3055 mm&lt;br /&gt;
* Weight: 3500 kg&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
Basic Ambisonic Template for 4 channel mixing can be found here: &lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/g8zeiwG7gfan4cr Reaper Ambisonics Template]&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/njqdN4KpPeCgdFd Ambisonics Decoder Mobile Lab]&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
[[File: ReaperTemplate.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here:&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Ableton Live ===&lt;br /&gt;
[[File: Live-Surround.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Live-Template that can pan 8 sound sources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/f/22285679 here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here.&lt;br /&gt;
Please notice that Live has no native multichannel support and needs M4L to enable multichannel.&lt;br /&gt;
&lt;br /&gt;
[[File: SurroundPanner.png]]&lt;br /&gt;
&lt;br /&gt;
==== Setup ====&lt;br /&gt;
# To be able to utilize multichannel routing you will need a M4L external called &amp;quot;Surround Panner&amp;quot;. You can find it [https://www.ableton.com/de/packs/surround-panner/ here] or in our [https://base.uni-ak.ac.at/cloud/index.php/s/8gpPFCtM7gq2L6t Resources Folder]&lt;br /&gt;
# Put onto a track you want to use for multichannel output&lt;br /&gt;
# Select &amp;quot;Speaker Setup&amp;quot; &amp;quot;8-Center&amp;quot;&lt;br /&gt;
# Select Outputs &amp;quot;1/2 &amp;gt; Ext.Out &amp;gt; 1/2, 3/4 &amp;gt; Ext.Out &amp;gt; 3/4, etc&amp;quot;&lt;br /&gt;
# Add &amp;quot;Surround Panner&amp;quot; to more tracks if you need to&lt;br /&gt;
# Use the graphical interface to move the sound around, you can use the focus parameter to expand the speaker range of the sound source or to make it smaller&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=77</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=77"/>
		<updated>2025-05-08T14:25:02Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Dimensions ===&lt;br /&gt;
* Length (total):7890 mm&lt;br /&gt;
* Length(without drawbar): 6260 mm&lt;br /&gt;
* Drawbar: 1630 mm&lt;br /&gt;
* Width: 2550 mm&lt;br /&gt;
* Height: 3055 mm&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
Basic Ambisonic Template for 4 channel mixing can be found here: &lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/g8zeiwG7gfan4cr Reaper Ambisonics Template]&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/njqdN4KpPeCgdFd Ambisonics Decoder Mobile Lab]&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
[[File: ReaperTemplate.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here:&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Ableton Live ===&lt;br /&gt;
[[File: Live-Surround.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Live-Template that can pan 8 sound sources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/f/22285679 here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here.&lt;br /&gt;
Please notice that Live has no native multichannel support and needs M4L to enable multichannel.&lt;br /&gt;
&lt;br /&gt;
[[File: SurroundPanner.png]]&lt;br /&gt;
&lt;br /&gt;
==== Setup ====&lt;br /&gt;
# To be able to utilize multichannel routing you will need a M4L external called &amp;quot;Surround Panner&amp;quot;. You can find it [https://www.ableton.com/de/packs/surround-panner/ here] or in our [https://base.uni-ak.ac.at/cloud/index.php/s/8gpPFCtM7gq2L6t Resources Folder]&lt;br /&gt;
# Put onto a track you want to use for multichannel output&lt;br /&gt;
# Select &amp;quot;Speaker Setup&amp;quot; &amp;quot;8-Center&amp;quot;&lt;br /&gt;
# Select Outputs &amp;quot;1/2 &amp;gt; Ext.Out &amp;gt; 1/2, 3/4 &amp;gt; Ext.Out &amp;gt; 3/4, etc&amp;quot;&lt;br /&gt;
# Add &amp;quot;Surround Panner&amp;quot; to more tracks if you need to&lt;br /&gt;
# Use the graphical interface to move the sound around, you can use the focus parameter to expand the speaker range of the sound source or to make it smaller&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=76</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=76"/>
		<updated>2025-04-24T12:51:47Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Ableton Live */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
Basic Ambisonic Template for 4 channel mixing can be found here: &lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/g8zeiwG7gfan4cr Reaper Ambisonics Template]&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/njqdN4KpPeCgdFd Ambisonics Decoder Mobile Lab]&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
[[File: ReaperTemplate.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here:&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Ableton Live ===&lt;br /&gt;
[[File: Live-Surround.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Live-Template that can pan 8 sound sources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/f/22285679 here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here.&lt;br /&gt;
Please notice that Live has no native multichannel support and needs M4L to enable multichannel.&lt;br /&gt;
&lt;br /&gt;
[[File: SurroundPanner.png]]&lt;br /&gt;
&lt;br /&gt;
==== Setup ====&lt;br /&gt;
# To be able to utilize multichannel routing you will need a M4L external called &amp;quot;Surround Panner&amp;quot;. You can find it [https://www.ableton.com/de/packs/surround-panner/ here] or in our [https://base.uni-ak.ac.at/cloud/index.php/s/8gpPFCtM7gq2L6t Resources Folder]&lt;br /&gt;
# Put onto a track you want to use for multichannel output&lt;br /&gt;
# Select &amp;quot;Speaker Setup&amp;quot; &amp;quot;8-Center&amp;quot;&lt;br /&gt;
# Select Outputs &amp;quot;1/2 &amp;gt; Ext.Out &amp;gt; 1/2, 3/4 &amp;gt; Ext.Out &amp;gt; 3/4, etc&amp;quot;&lt;br /&gt;
# Add &amp;quot;Surround Panner&amp;quot; to more tracks if you need to&lt;br /&gt;
# Use the graphical interface to move the sound around, you can use the focus parameter to expand the speaker range of the sound source or to make it smaller&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=75</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=75"/>
		<updated>2025-04-24T12:50:10Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Ableton Live */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
Basic Ambisonic Template for 4 channel mixing can be found here: &lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/g8zeiwG7gfan4cr Reaper Ambisonics Template]&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/njqdN4KpPeCgdFd Ambisonics Decoder Mobile Lab]&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
[[File: ReaperTemplate.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here:&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Ableton Live ===&lt;br /&gt;
[[File: Live-Surround.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Live-Template that can pan 8 sound sources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/f/22285679 here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here.&lt;br /&gt;
Please notice that Live has no native multichannel support and needs M4L to enable multichannel.&lt;br /&gt;
&lt;br /&gt;
[[File: SurroundPanner.png]]&lt;br /&gt;
&lt;br /&gt;
# To be able to utilize multichannel routing you will need a M4L external called &amp;quot;Surround Panner&amp;quot;. You can find it [https://www.ableton.com/de/packs/surround-panner/ here] or in our [https://base.uni-ak.ac.at/cloud/index.php/s/8gpPFCtM7gq2L6t Resources Folder]&lt;br /&gt;
# Put onto a track you want to use for multichannel output&lt;br /&gt;
# Select &amp;quot;Speaker Setup&amp;quot; &amp;quot;8-Center&amp;quot;&lt;br /&gt;
# Select Outputs &amp;quot;1/2 &amp;gt; Ext.Out &amp;gt; 1/2, 3/4 &amp;gt; Ext.Out &amp;gt; 3/4, etc&amp;quot;&lt;br /&gt;
# Add &amp;quot;Surround Panner&amp;quot; to more tracks if you need to&lt;br /&gt;
# Use the graphical interface to move the sound around, you can use the focus parameter to expand the speaker range of the sound source or to make it smaller&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=74</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=74"/>
		<updated>2025-04-24T12:49:07Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
Basic Ambisonic Template for 4 channel mixing can be found here: &lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/g8zeiwG7gfan4cr Reaper Ambisonics Template]&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/njqdN4KpPeCgdFd Ambisonics Decoder Mobile Lab]&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
[[File: ReaperTemplate.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here:&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Ableton Live ===&lt;br /&gt;
[[File: Live-Surround.png|1000px]]&lt;br /&gt;
The AESR Lab provides a ready made Live-Template that can pan 8 sound sources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here.&lt;br /&gt;
Please notice that Live has no native multichannel support and needs M4L to enable multichannel.&lt;br /&gt;
&lt;br /&gt;
[[File: SurroundPanner.png]]&lt;br /&gt;
&lt;br /&gt;
# To be able to utilize multichannel routing you will need a M4L external called &amp;quot;Surround Panner&amp;quot;. You can find it [https://www.ableton.com/de/packs/surround-panner/ here] or in our [https://base.uni-ak.ac.at/cloud/index.php/s/8gpPFCtM7gq2L6t Resources Folder]&lt;br /&gt;
# Put onto a track you want to use for multichannel output&lt;br /&gt;
# Select &amp;quot;Speaker Setup&amp;quot; &amp;quot;8-Center&amp;quot;&lt;br /&gt;
# Select Outputs &amp;quot;1/2 &amp;gt; Ext.Out &amp;gt; 1/2, 3/4 &amp;gt; Ext.Out &amp;gt; 3/4, etc&amp;quot;&lt;br /&gt;
# Add &amp;quot;Surround Panner&amp;quot; to more tracks if you need to&lt;br /&gt;
# Use the graphical interface to move the sound around, you can use the focus parameter to expand the speaker range of the sound source or to make it smaller&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=73</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=73"/>
		<updated>2025-04-24T12:48:09Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Ableton Live */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
Basic Ambisonic Template for 4 channel mixing can be found here: &lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/g8zeiwG7gfan4cr Reaper Ambisonics Template]&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/njqdN4KpPeCgdFd Ambisonics Decoder Mobile Lab]&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
[[File: ReaperTemplate.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here:&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Ableton Live ===&lt;br /&gt;
[[File: Live-Surround.png|800px]&lt;br /&gt;
The AESR Lab provides a ready made Live-Template that can pan 8 sound sources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here.&lt;br /&gt;
Please notice that Live has no native multichannel support and needs M4L to enable multichannel.&lt;br /&gt;
&lt;br /&gt;
[[File: SurroundPanner.png]]&lt;br /&gt;
&lt;br /&gt;
# To be able to utilize multichannel routing you will need a M4L external called &amp;quot;Surround Panner&amp;quot;. You can find it [https://www.ableton.com/de/packs/surround-panner/ here] or in our [https://base.uni-ak.ac.at/cloud/index.php/s/8gpPFCtM7gq2L6t Resources Folder]&lt;br /&gt;
# Put onto a track you want to use for multichannel output&lt;br /&gt;
# Select &amp;quot;Speaker Setup&amp;quot; &amp;quot;8-Center&amp;quot;&lt;br /&gt;
# Select Outputs &amp;quot;1/2 &amp;gt; Ext.Out &amp;gt; 1/2, 3/4 &amp;gt; Ext.Out &amp;gt; 3/4, etc&amp;quot;&lt;br /&gt;
# Add &amp;quot;Surround Panner&amp;quot; to more tracks if you need to&lt;br /&gt;
# Use the graphical interface to move the sound around, you can use the focus parameter to expand the speaker range of the sound source or to make it smaller&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=File:Live-Surround.png&amp;diff=72</id>
		<title>File:Live-Surround.png</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=File:Live-Surround.png&amp;diff=72"/>
		<updated>2025-04-24T12:47:13Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=71</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=71"/>
		<updated>2025-04-24T12:46:45Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
Basic Ambisonic Template for 4 channel mixing can be found here: &lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/g8zeiwG7gfan4cr Reaper Ambisonics Template]&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/njqdN4KpPeCgdFd Ambisonics Decoder Mobile Lab]&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
[[File: ReaperTemplate.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here:&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Ableton Live ===&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Live-Template that can pan 8 sound sources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here.&lt;br /&gt;
Please notice that Live has no native multichannel support and needs M4L to enable multichannel.&lt;br /&gt;
[[File: SurroundPanner.png]]&lt;br /&gt;
# To be able to utilize multichannel routing you will need a M4L external called &amp;quot;Surround Panner&amp;quot;. You can find it [https://www.ableton.com/de/packs/surround-panner/ here] or in our [https://base.uni-ak.ac.at/cloud/index.php/s/8gpPFCtM7gq2L6t Resources Folder]&lt;br /&gt;
# Put onto a track you want to use for multichannel output&lt;br /&gt;
# Select &amp;quot;Speaker Setup&amp;quot; &amp;quot;8-Center&amp;quot;&lt;br /&gt;
# Select Outputs &amp;quot;1/2 &amp;gt; Ext.Out &amp;gt; 1/2, 3/4 &amp;gt; Ext.Out &amp;gt; 3/4, etc&amp;quot;&lt;br /&gt;
# Add &amp;quot;Surround Panner&amp;quot; to more tracks if you need to&lt;br /&gt;
# Use the graphical interface to move the sound around, you can use the focus parameter to expand the speaker range of the sound source or to make it smaller&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=70</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=70"/>
		<updated>2025-04-24T12:44:28Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Ableton Live */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
Basic Ambisonic Template for 4 channel mixing can be found here: &lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/g8zeiwG7gfan4cr Reaper Ambisonics Template]&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/njqdN4KpPeCgdFd Ambisonics Decoder Mobile Lab]&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
[[File: ReaperTemplate.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here:&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Ableton Live ===&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Live-Template that can pan 8 sound sources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here.&lt;br /&gt;
Please notice that Live has no native multichannel support and needs M4L to enable multichannel.&lt;br /&gt;
[File: SurroundPanner.png]&lt;br /&gt;
# To be able to utilize multichannel routing you will need a M4L external called &amp;quot;Surround Panner&amp;quot;. You can find it [https://www.ableton.com/de/packs/surround-panner/ here] or in our [https://base.uni-ak.ac.at/cloud/index.php/s/8gpPFCtM7gq2L6t Resources Folder]&lt;br /&gt;
# Put onto a track you want to use for multichannel output&lt;br /&gt;
# Select &amp;quot;Speaker Setup&amp;quot; &amp;quot;8-Center&amp;quot;&lt;br /&gt;
# Select Outputs &amp;quot;1/2 &amp;gt; Ext.Out &amp;gt; 1/2, 3/4 &amp;gt; Ext.Out &amp;gt; 3/4, etc&amp;quot;&lt;br /&gt;
# Add &amp;quot;Surround Panner&amp;quot; to more tracks if you need to&lt;br /&gt;
# Use the graphical interface to move the sound around, you can use the focus parameter to expand the speaker range of the sound source or to make it smaller&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=File:SurroundPanner.png&amp;diff=69</id>
		<title>File:SurroundPanner.png</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=File:SurroundPanner.png&amp;diff=69"/>
		<updated>2025-04-24T12:43:18Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=68</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=68"/>
		<updated>2025-04-24T12:41:12Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Ableton Live */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
Basic Ambisonic Template for 4 channel mixing can be found here: &lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/g8zeiwG7gfan4cr Reaper Ambisonics Template]&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/njqdN4KpPeCgdFd Ambisonics Decoder Mobile Lab]&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
[[File: ReaperTemplate.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here:&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Ableton Live ===&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Live-Template that can pan 8 sound sources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here.&lt;br /&gt;
Please notice that Live has no native multichannel support and needs M4L to enable multichannel.&lt;br /&gt;
&lt;br /&gt;
# To be able to utilize multichannel routing you will need a M4L external called &amp;quot;Surround Panner&amp;quot;. You can find it [https://www.ableton.com/de/packs/surround-panner/ here] or in our [https://base.uni-ak.ac.at/cloud/index.php/s/8gpPFCtM7gq2L6t Resources Folder]&lt;br /&gt;
# Put onto a track you want to use for multichannel output&lt;br /&gt;
# Select &amp;quot;Speaker Setup&amp;quot; &amp;quot;8-Center&amp;quot;&lt;br /&gt;
# Select Outputs &amp;quot;1/2 &amp;gt; Ext.Out &amp;gt; 1/2, 3/4 &amp;gt; Ext.Out &amp;gt; 3/4, etc&amp;quot;&lt;br /&gt;
# Add &amp;quot;Surround Panner&amp;quot; to more tracks if you need to&lt;br /&gt;
# Use the graphical interface to move the sound around, you can use the focus parameter to expand the speaker range of the sound source or to make it smaller&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=67</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=67"/>
		<updated>2025-04-24T10:24:36Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Speaker Setup Innen */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
Basic Ambisonic Template for 4 channel mixing can be found here: &lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/g8zeiwG7gfan4cr Reaper Ambisonics Template]&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/njqdN4KpPeCgdFd Ambisonics Decoder Mobile Lab]&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
[[File: ReaperTemplate.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here:&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Ableton Live ===&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Live-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here.&lt;br /&gt;
Please notice that Live has no native multichannel support and needs M4L to enable multichannel.&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=66</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=66"/>
		<updated>2025-04-24T10:24:09Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Speaker Setup Innen */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
Basic Ambisonic Template for 4 channel mixing can be found here: [https://base.uni-ak.ac.at/cloud/index.php/s/g8zeiwG7gfan4cr Reaper Ambisonics Template]&lt;br /&gt;
[https://base.uni-ak.ac.at/cloud/index.php/s/njqdN4KpPeCgdFd Ambisonics Decoder Mobile Lab]&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
[[File: ReaperTemplate.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here:&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Ableton Live ===&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Live-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here.&lt;br /&gt;
Please notice that Live has no native multichannel support and needs M4L to enable multichannel.&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=65</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=65"/>
		<updated>2025-04-24T10:21:59Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Speaker Setup Innen */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
Basic Ambisonic Template for 4 channel mixing can be found here: [https://base.uni-ak.ac.at/cloud/index.php/s/g8zeiwG7gfan4cr Reaper Ambisonics Template]&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
[[File: ReaperTemplate.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here:&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Ableton Live ===&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Live-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here.&lt;br /&gt;
Please notice that Live has no native multichannel support and needs M4L to enable multichannel.&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=64</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=64"/>
		<updated>2025-04-24T10:17:07Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Reaper */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
[[File: ReaperTemplate.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here:&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
=== Ableton Live ===&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Live-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here.&lt;br /&gt;
Please notice that Live has no native multichannel support and needs M4L to enable multichannel.&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=63</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=63"/>
		<updated>2025-04-24T10:09:07Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Reaper */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
[[File: ReaperTemplate.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one, we have created an guide here:&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=62</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=62"/>
		<updated>2025-04-24T10:05:07Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Reaper */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
[[File: ReaperTemplate.png|1000px]]&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one we have created an guide here&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=61</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=61"/>
		<updated>2025-04-24T10:04:43Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Reaper */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
[[File: ReaperTemplate.png|800px]]&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one we have created an guide here&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=60</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=60"/>
		<updated>2025-04-24T10:03:05Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Reaper */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
[[File: ReaperTemplate.png|600px]]&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one we have created an guide here&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=59</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=59"/>
		<updated>2025-04-24T10:02:22Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Reaper */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
[[File: ReaperTemplate.png]]&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one we have created an guide here&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=File:ReaperTemplate.png&amp;diff=58</id>
		<title>File:ReaperTemplate.png</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=File:ReaperTemplate.png&amp;diff=58"/>
		<updated>2025-04-24T09:59:41Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=57</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=57"/>
		<updated>2025-04-24T09:57:07Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Working with the Mobile Lab */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for a way create your own multichannel routing template, or modify the existing one we have created an guide here&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=56</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=56"/>
		<updated>2025-04-24T09:56:30Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Working with the Mobile Lab */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper ===&lt;br /&gt;
&lt;br /&gt;
The AESR Lab provides a ready made Reaper-Template that can pan 8 soundsources to any speaker attached to the mobile lab. You can find it [https://base.uni-ak.ac.at/cloud/index.php/s/BiTfc4xXaEGPeLt here].&lt;br /&gt;
&lt;br /&gt;
If you are looking for away create your own multichannel routing template, or modify the existing one we have created an guide here&lt;br /&gt;
&lt;br /&gt;
==== Basic Setup ====&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=55</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=55"/>
		<updated>2025-04-24T09:48:35Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Open Sound Control */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper Setup===&lt;br /&gt;
&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
# Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume ||  (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=54</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=54"/>
		<updated>2025-04-24T09:48:12Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Open Sound Control */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper Setup===&lt;br /&gt;
&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
# Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message !! Datatype&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value || (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value || (float 0-1)&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=53</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=53"/>
		<updated>2025-04-24T09:47:22Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper Setup===&lt;br /&gt;
&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
# Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;text-align:left&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value (float 0-1)&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=52</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=52"/>
		<updated>2025-04-24T09:45:18Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Reaper Setup */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper Setup===&lt;br /&gt;
&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;br /&gt;
&lt;br /&gt;
==== Open Sound Control ====&lt;br /&gt;
# Reaper can be controlled via open sound control so you can control your reaper session via an OSC Controller (TouchOSC, PD, OSC Controller, MAX/MSP) &lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot; style=&amp;quot;margin:auto&amp;quot;&lt;br /&gt;
|+ Table of OSC Messages&lt;br /&gt;
|-&lt;br /&gt;
! Parameter !! OSC Message&lt;br /&gt;
|-&lt;br /&gt;
| Track Volume || /track/@/volume (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround X)  || /track/@/fx/1/fxparam/6/value (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Y)  || /track/@/fx/1/fxparam/7/value (float 0-1)&lt;br /&gt;
|-&lt;br /&gt;
| FX Parameter (ReaSurround Diffusion)  || /track/@/fx/1/fxparam/10/value (float 0-1)&lt;br /&gt;
|}&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=51</id>
		<title>Soundstudio ZFF</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=51"/>
		<updated>2025-04-24T09:28:52Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
Located at Rustenschacherallee 2-4 with a professional monitoring setup and a recording-booth for voiceovers. &amp;lt;br&amp;gt;&lt;br /&gt;
For booking contact: [mailto:aesr-lab@uni-ak.ac.at aesr-lab@uni-ak.ac.at] &amp;lt;br&amp;gt;&lt;br /&gt;
Or via our rental-system: https://aesr-lab.uni-ak.ac.at/loan&lt;br /&gt;
&lt;br /&gt;
==Overview==&lt;br /&gt;
=== Monitoring ===&lt;br /&gt;
* Neumann KH 310  &lt;br /&gt;
* Adam Audio T7V  &lt;br /&gt;
* Dangerous Music Source (Monitor Controller)  &lt;br /&gt;
* Beyerdynamic DT-990 (Headphone)  &lt;br /&gt;
&lt;br /&gt;
=== Interfacing ===&lt;br /&gt;
* Warm Audio WA273 (2-channel Mic Preamp)  &lt;br /&gt;
* RME Fireface UFX II (60-Kanal USB Audiointerface)  &lt;br /&gt;
* Rean NYS (Patchbay)  &lt;br /&gt;
* Nob (MIDI Controller)  &lt;br /&gt;
* Mac Mini  &lt;br /&gt;
&lt;br /&gt;
=== Software ===&lt;br /&gt;
* Ableton Live Suite 12  &lt;br /&gt;
* Avid Pro Tools  &lt;br /&gt;
* Reaper  &lt;br /&gt;
* iZotope Everything Bundle (with RX12 and Ozone)  &lt;br /&gt;
* Max 8  &lt;br /&gt;
* FabFilter Bundle  &lt;br /&gt;
* Soundtoys Bundle  &lt;br /&gt;
&lt;br /&gt;
=== Studio-Equipment ===&lt;br /&gt;
* Doepfer A-100 (Modular System)  &lt;br /&gt;
* Austrian Audio OC818 Studio Set (Large Diaphragm Microphone)  &lt;br /&gt;
* Technics SL-1210 (Direct-drive Turntable)  &lt;br /&gt;
* Pioneer XDJ-1000MK2 (USB DJ Player)  &lt;br /&gt;
* A&amp;amp;H Xone:92 (DJ Mixer)&lt;br /&gt;
&lt;br /&gt;
== Infos ==&lt;br /&gt;
&lt;br /&gt;
* [[Media:Studio-ZFF-WiringSchematic.pdf|Patchbay Overview]]&lt;br /&gt;
&lt;br /&gt;
== Pictures ==&lt;br /&gt;
&amp;lt;gallery widths=400&amp;gt;&lt;br /&gt;
File: Soundstudio-ZFF 1.jpg&lt;br /&gt;
File: Studio-ZFF 2.jpg&lt;br /&gt;
File: Studio-ZFF 3.jpg&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=50</id>
		<title>Soundstudio ZFF</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=50"/>
		<updated>2025-04-24T09:26:24Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
Located at Rustenschacherallee 2-4 with a professional monitoring setup and a recording-booth for voiceovers.&lt;br /&gt;
For booking contact: aesr-lab@uni-ak.ac.at&lt;br /&gt;
Or via our rental-system: https://aesr-lab.uni-ak.ac.at/loan&lt;br /&gt;
&lt;br /&gt;
==Overview==&lt;br /&gt;
=== Monitoring ===&lt;br /&gt;
* Neumann KH 310  &lt;br /&gt;
* Adam Audio T7V  &lt;br /&gt;
* Dangerous Music Source (Monitor Controller)  &lt;br /&gt;
* Beyerdynamic DT-990 (Headphone)  &lt;br /&gt;
&lt;br /&gt;
=== Interfacing ===&lt;br /&gt;
* Warm Audio WA273 (2-channel Mic Preamp)  &lt;br /&gt;
* RME Fireface UFX II (60-Kanal USB Audiointerface)  &lt;br /&gt;
* Rean NYS (Patchbay)  &lt;br /&gt;
* Nob (MIDI Controller)  &lt;br /&gt;
* Mac Mini  &lt;br /&gt;
&lt;br /&gt;
=== Software ===&lt;br /&gt;
* Ableton Live Suite 12  &lt;br /&gt;
* Avid Pro Tools  &lt;br /&gt;
* Reaper  &lt;br /&gt;
* iZotope Everything Bundle (with RX12 and Ozone)  &lt;br /&gt;
* Max 8  &lt;br /&gt;
* FabFilter Bundle  &lt;br /&gt;
* Soundtoys Bundle  &lt;br /&gt;
&lt;br /&gt;
=== Studio-Equipment ===&lt;br /&gt;
* Doepfer A-100 (Modular System)  &lt;br /&gt;
* Austrian Audio OC818 Studio Set (Large Diaphragm Microphone)  &lt;br /&gt;
* Technics SL-1210 (Direct-drive Turntable)  &lt;br /&gt;
* Pioneer XDJ-1000MK2 (USB DJ Player)  &lt;br /&gt;
* A&amp;amp;H Xone:92 (DJ Mixer)&lt;br /&gt;
&lt;br /&gt;
== Infos ==&lt;br /&gt;
&lt;br /&gt;
* [[Media:Studio-ZFF-WiringSchematic.pdf|Patchbay Overview]]&lt;br /&gt;
&lt;br /&gt;
== Pictures ==&lt;br /&gt;
&amp;lt;gallery widths=400&amp;gt;&lt;br /&gt;
File: Soundstudio-ZFF 1.jpg&lt;br /&gt;
File: Studio-ZFF 2.jpg&lt;br /&gt;
File: Studio-ZFF 3.jpg&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=49</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=49"/>
		<updated>2025-03-31T15:10:59Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper Setup===&lt;br /&gt;
&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. You can find the output configuration inside this chart [[#Mixer Routing]]&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=48</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=48"/>
		<updated>2025-03-31T15:07:12Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Reaper Setup */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper Setup===&lt;br /&gt;
&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. &lt;br /&gt;
We will use this master track to send our differently panned sound sources to the correct hardware outputs. &lt;br /&gt;
Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output.&lt;br /&gt;
You can find the output configuration inside this chart&lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=47</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=47"/>
		<updated>2025-03-31T14:57:54Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Working with the Mobile Lab */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper Setup===&lt;br /&gt;
&lt;br /&gt;
# Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
# To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
# Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
# Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
# We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. &lt;br /&gt;
# Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
# The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
# Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
# Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
# Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
# A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
# Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=46</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=46"/>
		<updated>2025-03-31T14:55:54Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Working with the Mobile Lab */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper Setup===&lt;br /&gt;
&lt;br /&gt;
1. Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot; &lt;br /&gt;
2. To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot; &lt;br /&gt;
3. Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime &lt;br /&gt;
4. Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab &lt;br /&gt;
5. We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output. &lt;br /&gt;
6. Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround &lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
1. The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
2. Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
1. Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
2. Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
3. A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
4. Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=45</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=45"/>
		<updated>2025-03-31T14:55:21Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Working with the Mobile Lab */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;br /&gt;
&lt;br /&gt;
=== Reaper Setup===&lt;br /&gt;
&lt;br /&gt;
1. Create a new track (CTRL + t) &amp;quot;Track&amp;quot; &amp;gt; &amp;quot;Insert new track&amp;quot;&lt;br /&gt;
2. To be able to adress all 8 channels of the mobile lab, change the track channel count to 8 channels via &amp;quot;Route&amp;quot; &amp;gt; &amp;quot;Track channels&amp;quot;&lt;br /&gt;
3. Now we add a plugin called &amp;quot;ReaSurround&amp;quot; on your newly created channel. &amp;quot;ReaSurround&amp;quot; will enable us to route the sound via a graphic interface to the respective channels in realtime&lt;br /&gt;
4. Before we can start routing we should adapt the speaker configuration fitting the speaker layout of the Mobile Lab. There is a ready made preset you can find here: Then import &amp;quot;8chReadSurround.rpl&amp;quot; preset library into the Plugin, this will already setup a good speaker configuration to work with the  Mobile Lab&lt;br /&gt;
5. We now also need to change the track channel count on our master track to handle 8 channels. We will use this master track to send our differently panned sound sources to the correct hardware outputs. Do this by clicking on the &amp;quot;Sends/Hardware Outputs&amp;quot; Section on your Master Track and add a new hardware output.&lt;br /&gt;
6. Now you are ready to go to route your sound to the speakers of the Mobile Lab using ReaSurround&lt;br /&gt;
==== Audio Routing with ReaSurround ====&lt;br /&gt;
&lt;br /&gt;
1. The interface of &amp;quot;ReaSurround&amp;quot; let&#039;s you visually move a sound source to different speakers. After you loadup the preset you will see a speaker configuration setup with 8 speakers (yellow) and a white dot which is your sound source. By clicking and dragging your soundsource you can move the sound to the respective speaker.&lt;br /&gt;
2. Using &amp;quot;Diffusion&amp;quot; you can make your sound source bigger covering a lager area of speakers&lt;br /&gt;
==== Automation and Modulation ====&lt;br /&gt;
&lt;br /&gt;
Reaper let&#039;s you automate any paramter inside of the software, as well as using modulator like LFOs to control plugin and software parameters. &lt;br /&gt;
To be able to create automation we have to enable the automation envelope of the corresponding track.&lt;br /&gt;
1. Click &amp;quot;Trim&amp;quot; on the track&lt;br /&gt;
2. Enable the parameters you want to automate by clicking &amp;quot;Arm&amp;quot; and &amp;quot;Visible&amp;quot;&lt;br /&gt;
3. A new envelope should appear under the track, where you can draw in your automation&lt;br /&gt;
4. Clicking on &amp;quot;Mod&amp;quot; opens a window where you can set LFOs or an audio signal as a modulation source&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=44</id>
		<title>Mobile Lab</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Mobile_Lab&amp;diff=44"/>
		<updated>2025-03-31T14:53:30Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;==Overview==&lt;br /&gt;
Mobile sound laboratory for field research with a focus on experimental work in the field of sound art. The mobile lab is a research unit designed as a vehicle trailer (the size of a caravan) and includes a variety of sound projection and recording capabilities, processing station, and sound system.&lt;br /&gt;
The Mobile Lab can output sound on up to 12 channels. &lt;br /&gt;
&lt;br /&gt;
=== Equipment ===&lt;br /&gt;
* Yamaha TF1 digital mixingconsole&lt;br /&gt;
* 8x JBL Control 28-L1 Outdoor Speakers&lt;br /&gt;
* Audinate Dante AVIO USB to Dante Adapter&lt;br /&gt;
* 4x Neumann KH 150 Studiomonitors&lt;br /&gt;
* 3x DAP Audio QI-4400 4 Channel Amplifier&lt;br /&gt;
* 2x DLINK DGS-1210-28 Smart Managed Switch&lt;br /&gt;
&lt;br /&gt;
=== Ressources ===&lt;br /&gt;
* [https://base.uni-ak.ac.at/cloud/index.php/s/478iC7aTZB3M4x3 Mobile Lab Base Ressources]&lt;br /&gt;
* Blockdiagram Routing Mobile Lab [[Media: X052BSB V0.pdf]]&lt;br /&gt;
* Dimensions and Floorplan [[Media: Laborwagen Model.pdf]]&lt;br /&gt;
* Manual TF1 [[Media: Tf5-manual.pdf]]&lt;br /&gt;
&lt;br /&gt;
== Mixer Routing ==&lt;br /&gt;
&lt;br /&gt;
The mixer can either be accesed via USB (32 channel plug-and-play) or via [https://www.getdante.com/ Dante]. Dante requires a compatible soundcard or [https://www.getdante.com/products/software-essentials/dante-virtual-soundcard/ Dante Virtual Soundcard](we can provide a shareable license).&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ USB Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 11  / USB 11  || AUX 11  || Omni 11 / MPO 11  || ABH LH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 13  / USB 13  || AUX 13  || Omni 13 / MPO 9   || ABH LV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 14  / USB 14  || AUX 14  || Omni 14 / MPO 10  || ABH RV  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 12  / USB 12  || AUX 12  || Omni 12 / MPO 12  || ABH RH  || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 1   / USB 1   || AUX 1   || Omni 1 / MPO 1    || PA 1    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 2   / USB 2   || AUX 2   || Omni 2 / MPO 2    || PA 2    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 3   / USB 3   || AUX 3   || Omni 3 / MPO 3    || PA 3    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 4   / USB 4   || AUX 4   || Omni 4 / MPO 4    || PA 4    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 5   / USB 5   || AUX 5   || Omni 5 / MPO 5    || PA 5    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 6   / USB 6   || AUX 6   || Omni 6 / MPO 6    || PA 6    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 7   / USB 7   || AUX 7   || Omni 7 / MPO 7    || PA 7    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 8   / USB 8   || AUX 8   || Omni 8 / MPO 8    || PA 8    || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 9   / USB 9   || AUX 9   || Omni 9 / MPO 9    || PAA     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
| CH 10  / USB 10  || AUX 10  || Omni 10 / MPO 10  || PAB     || DCA 1  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ DANTE Mixer Routing&lt;br /&gt;
|-&lt;br /&gt;
! Input CH	!! Channel	Mixer !! Out !! ASF	!! VCA Group&lt;br /&gt;
|-&lt;br /&gt;
| CH 17  / DANTE 17  || AUX 1  || Omni 1 / MPO 1   || PA 1    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 18  / DANTE 18  || AUX 2  || Omni 2 / MPO 2   || PA 2    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 19  / DANTE 19  || AUX 3  || Omni 3 / MPO 3   || PA 3    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 20  / DANTE 20  || AUX 4  || Omni 4 / MPO 4   || PA 4    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 21  / DANTE 21  || AUX 5  || Omni 5 / MPO 5   || PA 5    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 22  / DANTE 22  || AUX 6  || Omni 6 / MPO 6   || PA 6    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 23  / DANTE 23  || AUX 7  || Omni 7 / MPO 7   || PA 7    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 24  / DANTE 24  || AUX 8  || Omni 8 / MPO 8   || PA 8    || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 25  / DANTE 25  || AUX 9  || Omni 9 / MPO 9   || PAA     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 26  / DANTE 26  || AUX 10 || Omni 10 / MPO 10 || PAB     || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 27  / DANTE 27  || AUX 11 || Omni 7 / MPO 7   || ABH LH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 28  / DANTE 28  || AUX 12 || Omni 8 / MPO 8   || ABH RH  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 29  / DANTE 29  || AUX 13 || Omni 9 / MPO 9   || ABH LV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
| CH 30  / DANTE 30  || AUX 14 || Omni 10 / MPO 10 || ABH RV  || DCA 2  &lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Speaker Setup Innen ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
{| class=&amp;quot;wikitable&amp;quot;&lt;br /&gt;
|+ Speaker Setup Inside&lt;br /&gt;
|-&lt;br /&gt;
! Lautsprecher	!! Azimuth	!! Azimuth Elevation	!! Mixer Channel (Dante) !! Mixer Channel (USB)&lt;br /&gt;
|-&lt;br /&gt;
|ABH LV	|| -30°	|| 0°|| CH 29|| CH 13&lt;br /&gt;
|-&lt;br /&gt;
|ABH RV	|| 30°	|| 0°|| CH 30|| CH 14&lt;br /&gt;
|-&lt;br /&gt;
|ABH RH	|| 130	|| 0°|| CH 27|| CH 11&lt;br /&gt;
|-&lt;br /&gt;
|ABH LH	|| -130°	|| 0°|| CH 28|| CH 12&lt;br /&gt;
|-&lt;br /&gt;
|}&lt;br /&gt;
&lt;br /&gt;
== Working with the Mobile Lab ==&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=43</id>
		<title>Soundstudio ZFF</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=43"/>
		<updated>2025-03-24T15:38:50Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
Located at Rustenschacherallee 2-4 with a professional monitoring setup and a recording-booth for voiceovers.&lt;br /&gt;
&lt;br /&gt;
==Overview==&lt;br /&gt;
=== Monitoring ===&lt;br /&gt;
* Neumann KH 310  &lt;br /&gt;
* Adam Audio T7V  &lt;br /&gt;
* Dangerous Music Source (Monitor Controller)  &lt;br /&gt;
* Beyerdynamic DT-990 (Headphone)  &lt;br /&gt;
&lt;br /&gt;
=== Interfacing ===&lt;br /&gt;
* Warm Audio WA273 (2-channel Mic Preamp)  &lt;br /&gt;
* RME Fireface UFX II (60-Kanal USB Audiointerface)  &lt;br /&gt;
* Rean NYS (Patchbay)  &lt;br /&gt;
* Nob (MIDI Controller)  &lt;br /&gt;
* Mac Mini  &lt;br /&gt;
&lt;br /&gt;
=== Software ===&lt;br /&gt;
* Ableton Live Suite 12  &lt;br /&gt;
* Avid Pro Tools  &lt;br /&gt;
* Reaper  &lt;br /&gt;
* iZotope Everything Bundle (with RX12 and Ozone)  &lt;br /&gt;
* Max 8  &lt;br /&gt;
* FabFilter Bundle  &lt;br /&gt;
* Soundtoys Bundle  &lt;br /&gt;
&lt;br /&gt;
=== Studio-Equipment ===&lt;br /&gt;
* Doepfer A-100 (Modular System)  &lt;br /&gt;
* Austrian Audio OC818 Studio Set (Large Diaphragm Microphone)  &lt;br /&gt;
* Technics SL-1210 (Direct-drive Turntable)  &lt;br /&gt;
* Pioneer XDJ-1000MK2 (USB DJ Player)  &lt;br /&gt;
* A&amp;amp;H Xone:92 (DJ Mixer)&lt;br /&gt;
&lt;br /&gt;
== Infos ==&lt;br /&gt;
&lt;br /&gt;
* [[Media:Studio-ZFF-WiringSchematic.pdf|Patchbay Overview]]&lt;br /&gt;
&lt;br /&gt;
== Pictures ==&lt;br /&gt;
&amp;lt;gallery widths=400&amp;gt;&lt;br /&gt;
File: Soundstudio-ZFF 1.jpg&lt;br /&gt;
File: Studio-ZFF 2.jpg&lt;br /&gt;
File: Studio-ZFF 3.jpg&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=42</id>
		<title>Soundstudio ZFF</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=42"/>
		<updated>2025-03-24T15:38:09Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Pictures */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
Located at Rustenschacherallee 2-4 with a professional monitoring setup and a recording booth for voiceovers.&lt;br /&gt;
&lt;br /&gt;
==Overview==&lt;br /&gt;
=== Monitoring ===&lt;br /&gt;
* Neumann KH 310  &lt;br /&gt;
* Adam Audio T7V  &lt;br /&gt;
* Dangerous Music Source (Monitor Controller)  &lt;br /&gt;
* Beyerdynamic DT-990 (Headphone)  &lt;br /&gt;
&lt;br /&gt;
=== Interfacing ===&lt;br /&gt;
* Warm Audio WA273 (2-channel Mic Preamp)  &lt;br /&gt;
* RME Fireface UFX II (60-Kanal USB Audiointerface)  &lt;br /&gt;
* Rean NYS (Patchbay)  &lt;br /&gt;
* Nob (MIDI Controller)  &lt;br /&gt;
* Mac Mini  &lt;br /&gt;
&lt;br /&gt;
=== Software ===&lt;br /&gt;
* Ableton Live Suite 12  &lt;br /&gt;
* Avid Pro Tools  &lt;br /&gt;
* Reaper  &lt;br /&gt;
* iZotope Everything Bundle (with RX12 and Ozone)  &lt;br /&gt;
* Max 8  &lt;br /&gt;
* FabFilter Bundle  &lt;br /&gt;
* Soundtoys Bundle  &lt;br /&gt;
&lt;br /&gt;
=== Studio-Equipment ===&lt;br /&gt;
* Doepfer A-100 (Modular System)  &lt;br /&gt;
* Austrian Audio OC818 Studio Set (Large Diaphragm Microphone)  &lt;br /&gt;
* Technics SL-1210 (Direct-drive Turntable)  &lt;br /&gt;
* Pioneer XDJ-1000MK2 (USB DJ Player)  &lt;br /&gt;
* A&amp;amp;H Xone:92 (DJ Mixer)&lt;br /&gt;
&lt;br /&gt;
== Infos ==&lt;br /&gt;
&lt;br /&gt;
* [[Media:Studio-ZFF-WiringSchematic.pdf|Patchbay Overview]]&lt;br /&gt;
&lt;br /&gt;
== Pictures ==&lt;br /&gt;
&amp;lt;gallery widths=400&amp;gt;&lt;br /&gt;
File: Soundstudio-ZFF 1.jpg&lt;br /&gt;
File: Studio-ZFF 2.jpg&lt;br /&gt;
File: Studio-ZFF 3.jpg&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=41</id>
		<title>Soundstudio ZFF</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=41"/>
		<updated>2025-03-24T15:36:29Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Pictures */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
Located at Rustenschacherallee 2-4 with a professional monitoring setup and a recording booth for voiceovers.&lt;br /&gt;
&lt;br /&gt;
==Overview==&lt;br /&gt;
=== Monitoring ===&lt;br /&gt;
* Neumann KH 310  &lt;br /&gt;
* Adam Audio T7V  &lt;br /&gt;
* Dangerous Music Source (Monitor Controller)  &lt;br /&gt;
* Beyerdynamic DT-990 (Headphone)  &lt;br /&gt;
&lt;br /&gt;
=== Interfacing ===&lt;br /&gt;
* Warm Audio WA273 (2-channel Mic Preamp)  &lt;br /&gt;
* RME Fireface UFX II (60-Kanal USB Audiointerface)  &lt;br /&gt;
* Rean NYS (Patchbay)  &lt;br /&gt;
* Nob (MIDI Controller)  &lt;br /&gt;
* Mac Mini  &lt;br /&gt;
&lt;br /&gt;
=== Software ===&lt;br /&gt;
* Ableton Live Suite 12  &lt;br /&gt;
* Avid Pro Tools  &lt;br /&gt;
* Reaper  &lt;br /&gt;
* iZotope Everything Bundle (with RX12 and Ozone)  &lt;br /&gt;
* Max 8  &lt;br /&gt;
* FabFilter Bundle  &lt;br /&gt;
* Soundtoys Bundle  &lt;br /&gt;
&lt;br /&gt;
=== Studio-Equipment ===&lt;br /&gt;
* Doepfer A-100 (Modular System)  &lt;br /&gt;
* Austrian Audio OC818 Studio Set (Large Diaphragm Microphone)  &lt;br /&gt;
* Technics SL-1210 (Direct-drive Turntable)  &lt;br /&gt;
* Pioneer XDJ-1000MK2 (USB DJ Player)  &lt;br /&gt;
* A&amp;amp;H Xone:92 (DJ Mixer)&lt;br /&gt;
&lt;br /&gt;
== Infos ==&lt;br /&gt;
&lt;br /&gt;
* [[Media:Studio-ZFF-WiringSchematic.pdf|Patchbay Overview]]&lt;br /&gt;
&lt;br /&gt;
== Pictures ==&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
File: Soundstudio-ZFF 1.jpg&lt;br /&gt;
File: Studio-ZFF 2.jpg&lt;br /&gt;
File: Studio-ZFF 3.jpg&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=40</id>
		<title>Soundstudio ZFF</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=40"/>
		<updated>2025-03-24T15:36:08Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Pictures */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
Located at Rustenschacherallee 2-4 with a professional monitoring setup and a recording booth for voiceovers.&lt;br /&gt;
&lt;br /&gt;
==Overview==&lt;br /&gt;
=== Monitoring ===&lt;br /&gt;
* Neumann KH 310  &lt;br /&gt;
* Adam Audio T7V  &lt;br /&gt;
* Dangerous Music Source (Monitor Controller)  &lt;br /&gt;
* Beyerdynamic DT-990 (Headphone)  &lt;br /&gt;
&lt;br /&gt;
=== Interfacing ===&lt;br /&gt;
* Warm Audio WA273 (2-channel Mic Preamp)  &lt;br /&gt;
* RME Fireface UFX II (60-Kanal USB Audiointerface)  &lt;br /&gt;
* Rean NYS (Patchbay)  &lt;br /&gt;
* Nob (MIDI Controller)  &lt;br /&gt;
* Mac Mini  &lt;br /&gt;
&lt;br /&gt;
=== Software ===&lt;br /&gt;
* Ableton Live Suite 12  &lt;br /&gt;
* Avid Pro Tools  &lt;br /&gt;
* Reaper  &lt;br /&gt;
* iZotope Everything Bundle (with RX12 and Ozone)  &lt;br /&gt;
* Max 8  &lt;br /&gt;
* FabFilter Bundle  &lt;br /&gt;
* Soundtoys Bundle  &lt;br /&gt;
&lt;br /&gt;
=== Studio-Equipment ===&lt;br /&gt;
* Doepfer A-100 (Modular System)  &lt;br /&gt;
* Austrian Audio OC818 Studio Set (Large Diaphragm Microphone)  &lt;br /&gt;
* Technics SL-1210 (Direct-drive Turntable)  &lt;br /&gt;
* Pioneer XDJ-1000MK2 (USB DJ Player)  &lt;br /&gt;
* A&amp;amp;H Xone:92 (DJ Mixer)&lt;br /&gt;
&lt;br /&gt;
== Infos ==&lt;br /&gt;
&lt;br /&gt;
* [[Media:Studio-ZFF-WiringSchematic.pdf|Patchbay Overview]]&lt;br /&gt;
&lt;br /&gt;
== Pictures ==&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
File: Soundstudio-ZFF 1.jpg|thumb&lt;br /&gt;
File: Studio-ZFF 2.jpg|thumb&lt;br /&gt;
File: Studio-ZFF 3.jpg|thumb&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=39</id>
		<title>Soundstudio ZFF</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=39"/>
		<updated>2025-03-24T15:35:32Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Pictures */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
Located at Rustenschacherallee 2-4 with a professional monitoring setup and a recording booth for voiceovers.&lt;br /&gt;
&lt;br /&gt;
==Overview==&lt;br /&gt;
=== Monitoring ===&lt;br /&gt;
* Neumann KH 310  &lt;br /&gt;
* Adam Audio T7V  &lt;br /&gt;
* Dangerous Music Source (Monitor Controller)  &lt;br /&gt;
* Beyerdynamic DT-990 (Headphone)  &lt;br /&gt;
&lt;br /&gt;
=== Interfacing ===&lt;br /&gt;
* Warm Audio WA273 (2-channel Mic Preamp)  &lt;br /&gt;
* RME Fireface UFX II (60-Kanal USB Audiointerface)  &lt;br /&gt;
* Rean NYS (Patchbay)  &lt;br /&gt;
* Nob (MIDI Controller)  &lt;br /&gt;
* Mac Mini  &lt;br /&gt;
&lt;br /&gt;
=== Software ===&lt;br /&gt;
* Ableton Live Suite 12  &lt;br /&gt;
* Avid Pro Tools  &lt;br /&gt;
* Reaper  &lt;br /&gt;
* iZotope Everything Bundle (with RX12 and Ozone)  &lt;br /&gt;
* Max 8  &lt;br /&gt;
* FabFilter Bundle  &lt;br /&gt;
* Soundtoys Bundle  &lt;br /&gt;
&lt;br /&gt;
=== Studio-Equipment ===&lt;br /&gt;
* Doepfer A-100 (Modular System)  &lt;br /&gt;
* Austrian Audio OC818 Studio Set (Large Diaphragm Microphone)  &lt;br /&gt;
* Technics SL-1210 (Direct-drive Turntable)  &lt;br /&gt;
* Pioneer XDJ-1000MK2 (USB DJ Player)  &lt;br /&gt;
* A&amp;amp;H Xone:92 (DJ Mixer)&lt;br /&gt;
&lt;br /&gt;
== Infos ==&lt;br /&gt;
&lt;br /&gt;
* [[Media:Studio-ZFF-WiringSchematic.pdf|Patchbay Overview]]&lt;br /&gt;
&lt;br /&gt;
== Pictures ==&lt;br /&gt;
&amp;lt;gallery&amp;gt;&lt;br /&gt;
[[File: Soundstudio-ZFF 1.jpg|thumb]]&lt;br /&gt;
[[File: Studio-ZFF 2.jpg|thumb]]&lt;br /&gt;
[[File: Studio-ZFF 3.jpg|thumb]]&lt;br /&gt;
&amp;lt;/gallery&amp;gt;&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=38</id>
		<title>Soundstudio ZFF</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=38"/>
		<updated>2025-03-24T15:34:03Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Pictures */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
Located at Rustenschacherallee 2-4 with a professional monitoring setup and a recording booth for voiceovers.&lt;br /&gt;
&lt;br /&gt;
==Overview==&lt;br /&gt;
=== Monitoring ===&lt;br /&gt;
* Neumann KH 310  &lt;br /&gt;
* Adam Audio T7V  &lt;br /&gt;
* Dangerous Music Source (Monitor Controller)  &lt;br /&gt;
* Beyerdynamic DT-990 (Headphone)  &lt;br /&gt;
&lt;br /&gt;
=== Interfacing ===&lt;br /&gt;
* Warm Audio WA273 (2-channel Mic Preamp)  &lt;br /&gt;
* RME Fireface UFX II (60-Kanal USB Audiointerface)  &lt;br /&gt;
* Rean NYS (Patchbay)  &lt;br /&gt;
* Nob (MIDI Controller)  &lt;br /&gt;
* Mac Mini  &lt;br /&gt;
&lt;br /&gt;
=== Software ===&lt;br /&gt;
* Ableton Live Suite 12  &lt;br /&gt;
* Avid Pro Tools  &lt;br /&gt;
* Reaper  &lt;br /&gt;
* iZotope Everything Bundle (with RX12 and Ozone)  &lt;br /&gt;
* Max 8  &lt;br /&gt;
* FabFilter Bundle  &lt;br /&gt;
* Soundtoys Bundle  &lt;br /&gt;
&lt;br /&gt;
=== Studio-Equipment ===&lt;br /&gt;
* Doepfer A-100 (Modular System)  &lt;br /&gt;
* Austrian Audio OC818 Studio Set (Large Diaphragm Microphone)  &lt;br /&gt;
* Technics SL-1210 (Direct-drive Turntable)  &lt;br /&gt;
* Pioneer XDJ-1000MK2 (USB DJ Player)  &lt;br /&gt;
* A&amp;amp;H Xone:92 (DJ Mixer)&lt;br /&gt;
&lt;br /&gt;
== Infos ==&lt;br /&gt;
&lt;br /&gt;
* [[Media:Studio-ZFF-WiringSchematic.pdf|Patchbay Overview]]&lt;br /&gt;
&lt;br /&gt;
== Pictures ==&lt;br /&gt;
[[File: Soundstudio-ZFF 1.jpg|thumb]]&lt;br /&gt;
[[File: Studio-ZFF 2.jpg|thumb]]&lt;br /&gt;
[[File: Studio-ZFF 3.jpg|thumb]]&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=37</id>
		<title>Soundstudio ZFF</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=37"/>
		<updated>2025-03-24T15:33:42Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Pictures */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
Located at Rustenschacherallee 2-4 with a professional monitoring setup and a recording booth for voiceovers.&lt;br /&gt;
&lt;br /&gt;
==Overview==&lt;br /&gt;
=== Monitoring ===&lt;br /&gt;
* Neumann KH 310  &lt;br /&gt;
* Adam Audio T7V  &lt;br /&gt;
* Dangerous Music Source (Monitor Controller)  &lt;br /&gt;
* Beyerdynamic DT-990 (Headphone)  &lt;br /&gt;
&lt;br /&gt;
=== Interfacing ===&lt;br /&gt;
* Warm Audio WA273 (2-channel Mic Preamp)  &lt;br /&gt;
* RME Fireface UFX II (60-Kanal USB Audiointerface)  &lt;br /&gt;
* Rean NYS (Patchbay)  &lt;br /&gt;
* Nob (MIDI Controller)  &lt;br /&gt;
* Mac Mini  &lt;br /&gt;
&lt;br /&gt;
=== Software ===&lt;br /&gt;
* Ableton Live Suite 12  &lt;br /&gt;
* Avid Pro Tools  &lt;br /&gt;
* Reaper  &lt;br /&gt;
* iZotope Everything Bundle (with RX12 and Ozone)  &lt;br /&gt;
* Max 8  &lt;br /&gt;
* FabFilter Bundle  &lt;br /&gt;
* Soundtoys Bundle  &lt;br /&gt;
&lt;br /&gt;
=== Studio-Equipment ===&lt;br /&gt;
* Doepfer A-100 (Modular System)  &lt;br /&gt;
* Austrian Audio OC818 Studio Set (Large Diaphragm Microphone)  &lt;br /&gt;
* Technics SL-1210 (Direct-drive Turntable)  &lt;br /&gt;
* Pioneer XDJ-1000MK2 (USB DJ Player)  &lt;br /&gt;
* A&amp;amp;H Xone:92 (DJ Mixer)&lt;br /&gt;
&lt;br /&gt;
== Infos ==&lt;br /&gt;
&lt;br /&gt;
* [[Media:Studio-ZFF-WiringSchematic.pdf|Patchbay Overview]]&lt;br /&gt;
&lt;br /&gt;
== Pictures ==&lt;br /&gt;
* [[File: Soundstudio-ZFF 1.jpg|thumb]]&lt;br /&gt;
* [[File: Studio-ZFF 2.jpg|thumb]]&lt;br /&gt;
* [[File: Studio-ZFF 3.jpg|thumb]]&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=36</id>
		<title>Soundstudio ZFF</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=36"/>
		<updated>2025-03-24T15:32:54Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: /* Pictures */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
Located at Rustenschacherallee 2-4 with a professional monitoring setup and a recording booth for voiceovers.&lt;br /&gt;
&lt;br /&gt;
==Overview==&lt;br /&gt;
=== Monitoring ===&lt;br /&gt;
* Neumann KH 310  &lt;br /&gt;
* Adam Audio T7V  &lt;br /&gt;
* Dangerous Music Source (Monitor Controller)  &lt;br /&gt;
* Beyerdynamic DT-990 (Headphone)  &lt;br /&gt;
&lt;br /&gt;
=== Interfacing ===&lt;br /&gt;
* Warm Audio WA273 (2-channel Mic Preamp)  &lt;br /&gt;
* RME Fireface UFX II (60-Kanal USB Audiointerface)  &lt;br /&gt;
* Rean NYS (Patchbay)  &lt;br /&gt;
* Nob (MIDI Controller)  &lt;br /&gt;
* Mac Mini  &lt;br /&gt;
&lt;br /&gt;
=== Software ===&lt;br /&gt;
* Ableton Live Suite 12  &lt;br /&gt;
* Avid Pro Tools  &lt;br /&gt;
* Reaper  &lt;br /&gt;
* iZotope Everything Bundle (with RX12 and Ozone)  &lt;br /&gt;
* Max 8  &lt;br /&gt;
* FabFilter Bundle  &lt;br /&gt;
* Soundtoys Bundle  &lt;br /&gt;
&lt;br /&gt;
=== Studio-Equipment ===&lt;br /&gt;
* Doepfer A-100 (Modular System)  &lt;br /&gt;
* Austrian Audio OC818 Studio Set (Large Diaphragm Microphone)  &lt;br /&gt;
* Technics SL-1210 (Direct-drive Turntable)  &lt;br /&gt;
* Pioneer XDJ-1000MK2 (USB DJ Player)  &lt;br /&gt;
* A&amp;amp;H Xone:92 (DJ Mixer)&lt;br /&gt;
&lt;br /&gt;
== Infos ==&lt;br /&gt;
&lt;br /&gt;
* [[Media:Studio-ZFF-WiringSchematic.pdf|Patchbay Overview]]&lt;br /&gt;
&lt;br /&gt;
== Pictures ==&lt;br /&gt;
* [[File: Soundstudio-ZFF 1.jpg]]&lt;br /&gt;
* [[File: Studio-ZFF 2.jpg]]&lt;br /&gt;
* [[File: Studio-ZFF 3.jpg]]&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=35</id>
		<title>Soundstudio ZFF</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=Soundstudio_ZFF&amp;diff=35"/>
		<updated>2025-03-24T15:31:26Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;br /&gt;
Located at Rustenschacherallee 2-4 with a professional monitoring setup and a recording booth for voiceovers.&lt;br /&gt;
&lt;br /&gt;
==Overview==&lt;br /&gt;
=== Monitoring ===&lt;br /&gt;
* Neumann KH 310  &lt;br /&gt;
* Adam Audio T7V  &lt;br /&gt;
* Dangerous Music Source (Monitor Controller)  &lt;br /&gt;
* Beyerdynamic DT-990 (Headphone)  &lt;br /&gt;
&lt;br /&gt;
=== Interfacing ===&lt;br /&gt;
* Warm Audio WA273 (2-channel Mic Preamp)  &lt;br /&gt;
* RME Fireface UFX II (60-Kanal USB Audiointerface)  &lt;br /&gt;
* Rean NYS (Patchbay)  &lt;br /&gt;
* Nob (MIDI Controller)  &lt;br /&gt;
* Mac Mini  &lt;br /&gt;
&lt;br /&gt;
=== Software ===&lt;br /&gt;
* Ableton Live Suite 12  &lt;br /&gt;
* Avid Pro Tools  &lt;br /&gt;
* Reaper  &lt;br /&gt;
* iZotope Everything Bundle (with RX12 and Ozone)  &lt;br /&gt;
* Max 8  &lt;br /&gt;
* FabFilter Bundle  &lt;br /&gt;
* Soundtoys Bundle  &lt;br /&gt;
&lt;br /&gt;
=== Studio-Equipment ===&lt;br /&gt;
* Doepfer A-100 (Modular System)  &lt;br /&gt;
* Austrian Audio OC818 Studio Set (Large Diaphragm Microphone)  &lt;br /&gt;
* Technics SL-1210 (Direct-drive Turntable)  &lt;br /&gt;
* Pioneer XDJ-1000MK2 (USB DJ Player)  &lt;br /&gt;
* A&amp;amp;H Xone:92 (DJ Mixer)&lt;br /&gt;
&lt;br /&gt;
== Infos ==&lt;br /&gt;
&lt;br /&gt;
* [[Media:Studio-ZFF-WiringSchematic.pdf|Patchbay Overview]]&lt;br /&gt;
&lt;br /&gt;
== Pictures ==&lt;br /&gt;
* [[Media: Soundstudio-ZFF 1.jpg]]&lt;br /&gt;
* [[Media: Studio-ZFF 2.jpg]]&lt;br /&gt;
* [[Media: Studio-ZFF 3.jpg]]&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=File:Studio-ZFF_3.jpg&amp;diff=34</id>
		<title>File:Studio-ZFF 3.jpg</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=File:Studio-ZFF_3.jpg&amp;diff=34"/>
		<updated>2025-03-24T15:31:11Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=File:Studio-ZFF_2.jpg&amp;diff=33</id>
		<title>File:Studio-ZFF 2.jpg</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=File:Studio-ZFF_2.jpg&amp;diff=33"/>
		<updated>2025-03-24T15:30:18Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=File:Soundstudio-ZFF_1.jpg&amp;diff=32</id>
		<title>File:Soundstudio-ZFF 1.jpg</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=File:Soundstudio-ZFF_1.jpg&amp;diff=32"/>
		<updated>2025-03-24T15:28:40Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: Moritz.Haberkorn uploaded a new version of File:Soundstudio-ZFF 1.jpg&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
	<entry>
		<id>https://aesr-docs.uni-ak.ac.at/index.php?title=File:Soundstudio-ZFF_1.jpg&amp;diff=31</id>
		<title>File:Soundstudio-ZFF 1.jpg</title>
		<link rel="alternate" type="text/html" href="https://aesr-docs.uni-ak.ac.at/index.php?title=File:Soundstudio-ZFF_1.jpg&amp;diff=31"/>
		<updated>2025-03-24T15:25:31Z</updated>

		<summary type="html">&lt;p&gt;Moritz.Haberkorn: &lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;&lt;/div&gt;</summary>
		<author><name>Moritz.Haberkorn</name></author>
	</entry>
</feed>